The sculpture is derived from the characteristics of the dynamic natural landscape of Nantou. Nantou was the epicenter of the 921 Earthquake of 1999, and the central Taiwan region is a focal point of geological force concentration and known for its extremely steep mountainous landscape. Such invisible natural force is manifested in a visual form through integration of digital technology and the local culture. The ceramic cubes were baked in the traditional "snake kiln" by the local artist Lin Kuo Long of Shuili Shakekiln.